For those interested in how my work has evolved over the years, check out the GIF above to see the timelines of my videos morphing over the years. (They look different beginning with This is Not a Conspiracy Theory Episode 1 because I switched from Final Cut to Premiere Pro.)
There was also an unseen leap in complexity between TINACT 1 and 2 because Nora and I started producing our own music, which spawned additional timelines in Logic Pro and Ableton Live. Also not apparent is the rise of collaborator contributions from people like Louis Wesolowsky, Adam Farnsworth and Joshua Michie. Their work in After Effects and Cinema 4d is only seen here as simple clips.
Nonetheless, the steady increase in the density of the edits is still apparent. By TINACT 3, the most sophisticated thing I've produced yet, the timeline has practically become a wall of clips.
Below is an early look at TINACT 4, which I've just resumed production on. As you can see, it's still early, but this episode will likely be even more intricate than TINACT 3.